Becoming, or the last seven years as an extended video game analogy

I named my MFA creative thesis “Bones I Found in the Garden,” because when I came through my strokes, I had all these pieces of essays and stories and poetry left from the person I was before them.

I don’t actually know who I am now. The best way I can explain it is this.

You’re playing a video game. It’s your first playthrough, Save File Number One, so it’s kind of halting and messy and imperfect. But you’re *really* attached to it. You’re so invested in this game. You’ve played hundreds of hours, exploring the map, learning the controls, learning how to respond to the environment as this character while *using* those controls. You’ve *finally* gotten past the basic character establishing arcs and are getting into the meat of the story, establishing your home base and making it suit you, assembling a team to play co-op with, finally deciding what aspect of gameplay you enjoy most after *years* of gameplay and maxing out your skill tree in that area. You’ve wooed your romanceable NPCs and they’re super into you and you’re probably gonna get married to at least one if gameplay allows it. You’ve spent so long practicing life as this character, can practically do the sequence for your special attack combo move in your sleep. You’re a few XP away from leveling up and getting to multiclass for the first time. You’re not necessarily a competitive player on a professional level or anything, but you’re doing really well by your personal standards and you’re really focused on your game progression.

And then you wake up to a dead screen. The game crashes. Total fatal error.

You message the developers and they say they are on top of it! They announce that it’s not just you, there’s been a major crash across the whole game, for everybody! They’re doing everything they can! Coding patches as fast as they can and trying to salvage everybody’s save files, but they’re only human, and they have lives outside of work. Children to feed, spouses and friends to attend to. Their lives can’t be all about fixing your gameplay experience.

The first big patch is released, and you log back into the game only to find that your beloved Save File Number One is corrupted. There’s an archived version of it that you can view but not play, but the archived images are degraded to blocky pixels in places, completely warped in others. Some images are flipped, mirrorlike. It’s a viewable story, albeit somewhat scrambled, of the hundreds of hours you’ve put into learning this game, but it’s not *accessible*. You can’t add to it or repair it or fix it, it’s just an image of what you accomplished before. There’s no continuing your beloved Save File Number One.

So, after a period of mourning and avoiding gaming entirely, you take the plunge and make Save File Number Two. You do your best to recreate your first attempt, to build your gameplay back up to the same point it was before so you can *get back to the actual meat of the game*, but since the patch, the controls are slightly different. The developers insist it’s normal small redesigns over time, but everything feels just a little bit *wrong*. The character moves at a different, choppier pace, and the control haptics vibrate harder in your hands now. Your special attack combo move sequence has changed, and you can’t seem to memorize the new one, and every time you go to do it, it kinda hurts your hands because the button layout is much less intuitive since the update. The NPCs all have different dialogue, and it plays at either twice the volume and twice the speed it did before, or *half* the volume and speed, but either way, most interactions feel like riddles instead of exchanges, and you can’t shake the feeling that this was translated from some other language by an AI translation service but not checked by a human. You keep sending error reports and messaging the developers, but they don’t seem especially concerned as long as you still have some access to the game and are paying your subscription fees to play. The subscription fees don’t seem worth it, but what are you going to do? Not play? You’ve put your whole life into this. You’re desperate to just get back to moving forward in the game’s story, finding out how it progresses, but you’re struggling just to get through the same in-game achievements that felt, while challenging, *enjoyable* and *fulfilling* the first time. Now they feel hollow—you’re not enjoying the gameplay, and you’re saving every 3 seconds but pretty sure it doesn’t matter because it can all just disappear in an instant the next time there’s another crash, and since the crash was code-based and had *nothing to do with you*, there’s no avoiding it. You try really hard to attach to the game, to Save File Number Two, but it’s hard to enjoy a game you know is likely going to crash again and get even less developer support than it had when it was a better, more popular, more playable game. They’re not going to waste resources on a game that’s already crashed once and isn’t ever going to get its big following back and make them the money they want. It’s not a good investment.

You barely log in anymore; you let your subscription fees lapse. Save File Number Two is nothing but a pale echo of the game you loved, and playing it mostly makes you sad (and a little bit angry at the developers for not providing better support.) You spend your time offline, logged out entirely. You’re not really sure for how long. Sometimes, a friend will nudge you to hop on and play a bit, and you’ll drag yourself up to make the effort for them, but it’s not doing anything for you. It’s mostly just making you sadder and angrier and trapped by either incompetent programmers or ones just not being paid enough to care that your whole way of connecting to people and relating to the world around you is basically reduced to an awful-to-play trashfire parody of itself. You write angrier emails to the developers. They insist that new players and most old guard players like you seem ~fine~ with the controls, aren’t struggling like you are with them; maybe the problem is that you’re depressed or have grown bored with the game, or are too lazy to learn the new interface?

Galled by the accusations of laziness and incompetence, you double down on Save File Number Two. You try your absolute damndest to memorize the new special attack combo move sequence. You befriend and romance the NPCs by blindly gifting them all your resources even though they speak basically gibberish; eventually you give them the right things to make them like you better, and you arduously complete the same friendship achievements that the first time felt like an adventure. You don’t actually feel attached to the NPCs, though, because you’re not sure what you did right or wrong, and your efforts don’t seem to directly correlate to how much they appreciate them, it’s just random whether or not you stumble into the right dialogue and gift selections. It feels mostly like playing BINGO with people. The engaging, multifaceted characters of before are just memories you mentally overlay over the character portraits so you can try to pretend you still have that connection to them. There are other players online, too, but the in game live communication system has been too buggy to use since the update, so the whole experience feels terribly lonely now.

Still, you’re not an incompetent idiot. Other people are enjoying this game. Other people are finding ways to make it playable for themselves. Surely, you can grind through this tedious morass and get back to where you were in Save File Number One and finally, *finally* progress further in the game. Your friends that play have caught back up; you’re not sure why you can’t seem to make the new controls work for you, why your character moves so jerkily, why the screen keeps randomly flashing all the text into alien letters and then back again. They say they aren’t having those issues, just the normal ones that went with the systemwide crash for everybody.

For the first time, you start asking everybody what the crash was for them, and what the update fixed. You find out that the crash was just people not being able to connect to the game, not anything that should’ve made things so unplayable for you. Nobody’s special attack move combo sequence was changed. Most people’s saved files were still playable. The NPC dialogue issue and translation issues seem to be something wrong with your machine, not something wrong with the game. No wonder the developers were so dismissive; they were *sure* they’d fixed *those* problems. And they were right! You just seem to have another problem, too. But they’re not responsible for problems with the console, just the game, and trying to get support from the *console* production company proves even more futile than trying to get it from the game developers. At least you’re not barking up the wrong tree anymore, though, right?

You can’t get a refund or a replacement, your warrantee is years out of date. They don’t sell new ones of this version of the console; you’d have to chuck the whole thing out and start over with a model several generations newer, and you can neither afford that nor want to go that far.

So you start taking apart your console. You’re not great with technology and it doesn’t make a lot of sense to you, but you ask your friends who have more experience. Eventually, you find a bunch of messed up wiring and a wad of what looks like lint and battery acid wedged up under the buttons. Your special attack move didn’t change, one of the buttons for it was just misfiring when you hit it, signaling twice or not at all, ruining the sequence. Digging a little further gets you more answers: tiny wires connected to the wrong things, or just straight up corroded away. You message the game developers asking what to do—should you try and cobble together repairs to this console or just give up and start over from scratch with a new one from the new generation? You just want to be able to play and basically enjoy the game you used to love.

Somebody at the game company actually sees your message and bothers to reply. It takes you a while to get your console to let you even read their message; it keeps flashing the letters into alien characters randomly. Eventually, you find out that they’d had a friend with a similar issue, and they’d tried a different solution: they’d gotten their old console professionally refurbished. It took finding a very particular specialist with a very specific skill set and a very long and expensive waitlist, but that if you’re attached to playing the game with this interface, it’s probably your best bet. You’ll have to pack up your broken console and send it off for an indefinite amount of time to be fixed, and you don’t know what it’ll cost you, but it’s literally the only option if you don’t want to just throw the whole experience in the trash and start over from scratch and hope you get a better console next time.

So you pack up the console. Lovingly, but exhaustedly, and with so much anxiety that you’ll never see it again. This is your whole life. Your only chance to get back to the story you’re so invested in and finish its arc and see what you can do with it. You pack it up, and you send it off, and you wait.

And you wait.

You message the restoration specialist, but they’re very busy and they haven’t gotten to you yet.

So you wait.

You can’t play the game without a console, so the most you can do is hover on message boards and FB groups about it, reading about each new update and unlocked achievement and even complaint with fierce jealousy and impatience. You just want to get back to the game. You just want to see how you’d be doing if you’d had a machine that worked, or even one you’d known was broken. You just want to be experiencing the game, part of the story, connected to the world.

You obsess, because there’s nothing else to focus on while you wait for the console to be repaired; you can really only be trying to prepare yourself to play the game better when the console comes back.

You start reading the game wiki and trying to understand how the game *works*. You go down rabbit holes about programming and game development and you end up knowing the game world better than you ever thought you could. You still can’t *access* it, but you know you’d be better at it than you were the first time. You could probably speedrun some of that shit.

Finally, the console comes back. It’s been *years* since you’ve seen it, handled it. You’ve been wrapped up in a net of its specs and in game trivia, but the actual object feels almost foreign in your hands. The restoration specialists have left a note: it’s refurbished and restored, but it’s a finicky machine now. It’s old, and fragile, and while it’s optimized to the best of what it can do, you shouldn’t expect it to behave like a brand new machine.

Fine, then. You can’t speedrun anything, but you can still at least play it better than before, right?

You load up the game. You log in. You play around a bit on Save File Number Two. And it *is* easier, it *is* better, than when you had the broken console. But it’s also not Save File Number One. You’ve got max hearts with a bunch of NPCs, but they’re not your actual favorites, they’re just the ones you lucked into the right dialogue+gift combo with when you couldn’t actually understand them. Now that you *can* understand them, it feels…wrong. Uncomfortable. The home base you’ve got, you built with whatever resources you had left over after trying desperately to win over the NPCs and it’s honestly a shambles. Your skill tree makes absolutely no sense and is way more stunted than all your friends’ because you couldn’t even operate your special attack combo move for so long. Not only is this not anything like Save File Number One, it also just…sucks.

You have a choice here. You can

a) say “screw it” and yeet the whole thing into the sun and hope the next game you play comes on a better console and has better developer support and a bunch of other factors you have zero control over;

b) double down on Save File Number Two again because you’ve already given it hundreds of hours, you’re *committed*…while comparing it endlessly to the memory of Save File Number One because it’s nothing but an attempted mirror of that file, feeding how many hundreds more hours of grinding into a game you are not enjoying for a save file you are not proud of or happy with or even especially attached to, since you’re considering throwing the whole thing out at all; or

c) make a new save file. Make one that isn’t trying to be Save File Number One. Make one where you play through from scratch with this refurbished console, learning its quirks as you go, as messily and organically as you did the first time, but not trying to mimic it. Trying to pick a new skill tree this time, one that works better with a controller that feels kind of laggy when you try old expert moves but just feels normal levels of unfamiliar that come with trying a new skill in a new game with new controls. It won’t be the perfect speedrun you dreamed of while the console was being refurbished, but you’ll actually be *playing the game* again, actually engaged with it in an organic way with *some* potential to enjoy the process.

You still miss Save File Number One. You’re still insanely proud of it, and how well you fumbled your way through the game that first time. You’re not really proud of Save File Number Two, but you suppose you should just be grateful you kept playing the game and didn’t give up entirely. Yeah, if you start a new one, the game could crash again, or your console could fail on you again, and you might lose everything all over. But surely it’s worth starting something potentially risky if it’s your only chance at actually enjoying your experience?

So you take a deep breath and you try not to think about it too hard and get bogged down in perfectionism before you start and you load up the game. This time, when the intro screen pops up, instead of “LOAD”, you pick “NEW.”

With Save File Number Three, you definitely do still befriend and romance some of the same NPCs as the first time around, because you’re just drawn to them, and you even enjoy some of the same aspects of gameplay. But you don’t worry about trying to get your skill tree to look like the one in Save File Number One. You don’t actually like the way these controls handle the finer aspects of that branch of the skill tree, so you try out others. It’s a broader tree, less tall, and you’re way behind on achievements as compared to your friends, but you’re actually enjoying the game now. You’re enjoying seeing the updates the developers have made, the way this console differs from the first time around, rather than feeling trapped by them. You’re not *really* behind anything; new players are joining every day. You make friends with some of them, too, and other players with refurbished controllers, because even if they’ve played hundreds of hours fewer than you have, or are way less far in the game than you’d gotten last time, they’ve got new tips and tricks that didn’t even exist when you played the first time. Your old friends give you some gentle shit about having n00b friends and getting game advice from memes, but their original consoles still work, and they don’t really get what it’s like to have to engage with gameplay piecemeal. You don’t mind; they love you, and they game with you, and if you don’t spend as much time directly with them as you used to, it’s just because you want them to see you as this Save File Number Three instead of comparing you to their memory of Save File Number One, like you had for so long. You don’t grudge them their love of the memory, but if you keep comparing yourself to it, you’re not going to be able to enjoy the game. You need to properly invest in Save File Number Three if you want to explore the story before your console gives out more permanently and you can’t afford whatever fancy repair is required.

And you do. Want to explore the story. You never *wanted* to throw out the game or your console, you just wanted to be able to *play the fucking game with a working console*. And it might be a slightly different game and a slightly different console than when you started last time, but you can either focus on that and waste what hours you have left on trying to recreate a memory that can never be recreated, or you can focus on relearning the game and enjoying the process.

So that’s what happened, and I’m doing the latter. Because if I don’t find a way to enjoy the game again, I’m going to throw my console into the sun. And I want to play through the whole damn game. I want to see my character go from the fumbling child she is now to a greying elder, surrounded by loving community. It won’t be the child I was once or the elder I might once have been or the community I’d planned, and I might not make it all the way to the greying end like I hope, but I will be playing the game and learning the controls like it’s new, and doing my best to feel joy in the journey of it.

I don’t feel like Alena. I don’t know what Save File Number Three’s name is, but trying to be Alena after my strokes hasn’t worked, and I’m tired of wasting everybody’s time, especially my own, pushing that rock uphill when I don’t even want to.

I don’t know what rock I’m pushing next. I don’t know. I don’t know my own name; none of them ring like a bell in my chest. I don’t know, and I love that you care, all of you, but I’m not her, and I don’t know who I’m becoming yet. I don’t know. Don’t ask me, and please, don’t try and tell me. I don’t want to just waste who I’m becoming by remembering me as I was and missing her. I want to be something new. I *have* to be somebody new. And I’ll keep what works, but I can’t carry the rest. I never should have tried, really, but I did the best I could with what I knew at the time. Now that I know better, I have to try and do better, even if it means starting mostly over. Otherwise I’m never going to get to play at life again at all. And I truly, deeply want to. 💖

So yeah. Stay tuned to see what I become, I guess?

Art, the Plethodon, and NaNoWriMo’s Coming Dystopian Cyberpunk Future

Digital art in general is still very new to me, as are technical skills with things like perspective and the sharp, rigid geometry of cityscapes. To practice, rather than continuing to collage skylines and cityscapes and buildings in general from other art, which can be frustrating and make me feel like a copycat, I’ve started drawing from photos I’m taking in the area where I live.

For right now, I’m not editorializing a huge amount, just doing things like adding mountains to images in places where you can’t actually see the mountains (to still give the feeling of being surrounded by all these huge, towering peaks,) turning ugly architecture into colorful murals and signage, and getting rid of things that, while fine in real life, make for too much visual noise in a simple image or simple animation.

a street view I drew in RiNo, an art district in Denver

In tandem with my learning animation efforts, I’ve been planning out my project for this year’s NaNoWriMo. My friends in my writing group have been egging me on to do this cyberpunk dystopia magical girl story I’ve been toying around with. It would be set in a post-apocalyptic and re-settled-by-space-humans version of Denver, so I’ve begun trying to visualize a version of this place that’s fairly recognizable, but that I can play with creatively and see how I’d change it and how I’d have the re-settling humans interpret the leftovers of our society. What would last, what would fade away, and what would be wildly misinterpreted?

In doing this, I’ve started looking around where I live for things that space humans re-settling the area might find interesting, valuable, or worthy of note. The first place my mind jumped to was the first place that made me feel like Denver might be worth living in—Convergence Station. It’s this incredible immersive art museum that depicts a multidimensional transit station and is one of the few places in this city that—bizarre as it may sound—feel like home to me.

Meow Wolf Denver: Convergence Station

There’s this marvelous statue out front, by the car park. They call it The Plethodon.

Plethodon statue in front of Meow Wolf Denver: Convergence Station

Every time I see it, I think that Quetzalcoatl was possibly not, in fact, meant to be a literal feathered snake, but an exalted, deified form of the Mexican axolotl—and that the statue is exactly what a cute, anime version of one of his kind would look like. And while I know this strangely elegant statue is probably not built to last through the centuries, I decided that it’s too cool to get rid of, and it—or at least an homage to it—needs to be featured in my fictional cyberpunk version of Denver, and that I need to draw it.

I haven’t finished the Plethodon piece I started yesterday, but here’s where it’s up to so far:

WIP animation of rainbow Plethodon against the changing sky

Unfortunately, due to the workout all this animation practice has been giving it, my hand/arm/shoulder is so irritated and sore today that I can’t hold the pencil for more than 2 or so minutes before it starts to ache and go stingingly numb, so I guess I’m not finishing this piece tonight! But I did at least get the Plethodon’s eye and shine spots colored in so there’s no more entirely-blank areas. Tomorrow, please, hand, could you let me get back to work? Ideally, I wanna extend the timeframe a bit, as well as add things like clouds, cars, and birds. But like…ow, hand. Ow.

Anyway, that’s where I’m up to in this whole “teaching myself animation by feel” thing so far! While there’s definitely a lot of frustration involved, I’m really enjoying having something to work on that doesn’t require me to berate myself or feel like a failure if it doesn’t turn out right. Pre-stroke Alena had no experience or ability with digital art or animation, so there’s nothing to compare myself to and kick myself for not living up to, and there’s no sellable product I’m supposed to be achieving and worrying about whether or not people will like. I’m just…doing something for me. It’s a new and nice feeling; sort of fluttery and hopeful. Even if I hit a dead end with the animation stuff, I think the feeling of that lack of pressure is important to note and remember to try and return to when I’m feeling stuck. 💖

The Plethodon, illuminated in rainbow colors

Bonus: I didn’t even know this until after I started this animation—in fact, until I started writing this post and found photos of it at night—but the statue is actually sometimes illuminated in rainbow colors in real life, too! I am delighted by this development, and the funny little symmetry of having animated it that way just because I thought it would be cool! 😆

Further Adventures in Self-Taught Animation

As I mentioned in my last post, I’ve been playing with teaching myself some really basic animation stuff lately!

I love how measurable the progress in this medium is—each piece, by bit, frame by frame, it inches closer to becoming itself, and when each one is done, I can put it down, see what I’ve learned, and move onto something new. Pleasantly self-contained little assignments for myself—I’d meant to do Inktober but digitally, but this process is flowing okay on its own right now, so I’m just running with it. 😅🤷🏻‍♀️🤞🏻

I started with an app called FlipaClip, which was solid to learn on, but a little clunky once I had a rudimentary grasp of things, so I traded up to Callipeg. It’s a little choppy, too, with what I consider to be an excess of fiddly, motion-based signaling (iPad nonsense, bah,) but which has more advanced controls and is nicer to work with as I get used to it.

like walking on the surface of the sun

I initially wanted to jump into playing with human figures, because I like to tell our stories, but trying to animate legs walking allowed me to learn that I do not enjoy animating legs walking right now! So, in the interest of being kind to myself and not just chucking this away in frustration, I’m going to do what I did when I was first learning to draw people and struggling with depicting hands and feet! I’m gonna put the fiddly stuff down until I’m more comfortable with the medium, and just focus on the process in general more than the precision of walking rhythms right off the bat.

CMY Crumpalump

The next piece—a little CMY doodle of my one-eyed cat, Crumpet, when she was a kitten—was much more fun. (I really enjoy the thing where cats are basically a liquid.) After that, I decided to try and create an image loop of an idea I reference a lot, something I call my “terrarium brain.”

Ever since I had a series of small strokes a few years ago, my thoughts aren’t as linear or as easy to reach out and get ahold of when I’d like; they feel nebulous and indistinct until and unless I give them time and peace to coalesce. I picture them forming like clouds on my brain’s ceiling, collecting, eventually raining down (when they’re ready) into some form of more coherent expression. When I’m struggling to get the thoughts to gather, or am dealing with a very rapid cycle of feeling/thinking/expressing that overwhelms me, I refer to it as “storms in the terrarium brain.”

Storms in the Brain Terrarium

This was the first lil animation thing I’ve done that actually came out the way I intended; I’m surprised with how happy I am with it!

incomplete cityscape and train animation line work

Clearly, I keep returning to this train and cityscape idea. It’s taken up living rent-free in my head, and there’s definitely a story I want to tell forming there. Wanting to quickly get to telling that story, I started by snagging cityscape outlines from other images and altering them significantly, but I kept getting frustrated and feeling like a hack.

The next piece really frustrated me, just on a technical level. I borrowed most of the building blocking and outlines from another picture, and then built my own little world on top of it. Just a simple little loop of a person sitting on a rooftop, swinging their legs, bobbing their head to music, and scrolling through their phone. I was pretty pleased with it, and got about 3/4 of the way through coloring it, to the point where I just needed to color and animate all the billboards and other screens across the city.

blocking lines for cyber cityscape

In the middle of coloring, I accidentally tapped on a line with the Fill tool, which, if you’ve ever colored anything digitally, you probably already know this happens a lot, and while it does grossly thicken any lines attached to the one you just tapped on in the color you’re using, it’s not a big deal, because that’s what the Undo button is for. I didn’t notice right away, which wouldn’t normally be a big deal, either.

Except my iPad was in my lap, where my darling cat, Crumpet, decided she needed to be. So she stepped all over the screen and it closed the Callipeg app. And when I reopened it, I found that I had lost the ability to Undo more than the last couple of actions…which meant there was no going back to the version without the weird, chunky lines and awkward double-filled color spots.

By that point, I was frustrated, my hand hurt, and I felt like the motion in the animation was too choppy and awkward to be worth going through all the effort of completely redoing the color layer through the whole thing. While I’m annoyed to leave any of these little projects unfinished—I really like being able to have little slices of my progress as I go, so I don’t spend ages working on a project started at a lower skill level than I’m at by the time I’m halfway through it—I also legitimately don’t want to spend the hours of work and pain in my hand required to finish this one when I’m this frustrated with it.

I may go back later and steal the blocking lines from it to make a new one later, but right now, even just looking at it kinda irritates me. Weird, right? Rejection Sensitive Dysphoria feels in response to my own failures is not very Badass Artist Who Loves To Learn New Things of me, but I’m doing my best. 😬🙃

Equinox & Animation

Happy Fall, y’all! 🍁☀️🍂🌙🧡✨

Guess who’s been teaching herself (suuuuper basic, but I’ve never even glanced at it before, so basic is correct for me) animation this week? 😀✨ (Spoiler: it’s me.) I’m also definitely enjoying the onset of sweater weather.

I just have a lot of cute cardigans I hardly get to wear and it’s very exciting to actually be cozy outside at this time of year! 😄

On Tuesday, I had one of those neurodivergent wind-change moments, in which I felt the impulse and ability to do something new—but something SPECIFIC, not like getting energy and choosing how to spend it. This one was the sudden urge poke at my iPad and try to figure out how to learn one of the skills I need for a larger project I’m creating—some simple animation!

So I downloaded a free flipbook animation program called FlipaClip, watched their 2 minute tutorial (tutorials are normally really hard for me to follow these days, but I watched it several times and kept going back to it as I went,) and then started playing with it. Not really making anything coherent, just creating little things to teach myself how the process works:

first FlipaClip animation: starfish moonmouth bubble

The first thing I made was a trippy little loop of a mouth as it opens to reveal oddities. The next was a lil pastel goth doodle of a bunny welcoming in spooky season. Learning the program little by little with each new frame and each subsequent attempt.

second FlipaClip animation: spooky season

[My participation in the existence of Wednesday was canceled due to medical and dental appointments.]

On Thursday, Autumn Equinox (still a holiday for me, even if I’m not around many of my pagan peeps in person to celebrate with right now,) I got up early, found I’d started my period, and took it as an excuse to spend the morning listening to music and doing seasonally appropriate witchy things out on the balcony.

Doing witchcraft in an old Amazon box on the balcony is peak classiness, I know…

When I came back in, I hopped on my iPad, intending to look up a program that would potentially help me with a project I want to create before starting my day, but instead, I ended up opening FlipaClip and not moving until it was dark outside. 😆 Oops?

third FlipaClip animation: lil loop of a pastel city with a rainbow train (call that shiz a ~trainbow~)

The sum of the day’s teaching-myself-animation efforts: a 14 second looping story I saved as “Trainbow Guardian.” 💖 I think perhaps the easily-spooked giant is a Winter spirit, creeping in with a chill on the wind. Or maybe it’s somebody’s guardian angel? 🙃

trainbow giant looping story

So yeah! This is the start of me learning something completely new to me, and I know it’s simple and blocky and choppy as heck, just me messing around to learn the program, but still! Look at that! That’s 14 whole seconds of a looping visual story that I drew by hand on Day 2 of teaching myself a totally new program in a totally new medium with totally new tools! So I’m letting myself be pleased with my progress so far. ☺️

It’s exceptionally rare,

but occasionally, I am surprised and not disappointed by a person. Even…pleasantly surprised?

I don’t know. I came to a friend with some hard stuff about our relationship tonight, brought forward as authentically as I could, knowing it would be a tough, painful conversation, and really expected him to nope out. Didn’t even really emotionally prepare myself for anything else.

He stayed. And we talked. For three hours. With hugs. So. Feeling…tentatively hopeful for our continuing friendship, despite the difficulty. In the words of my favorite poet, CVR, “I invite hope in; I know failure may follow.”

Have this picture I took of Denver from the skybridge over the train tracks on my (mile long! A MILE ALONE ON MY FEETS) walk to meet him for our drinks this evening:

And, bonus, the whole CVR poem I mentioned:

General Update: bad brain week

Long post ahead! CW: health/medical, disability.

Not having a great brain week. Was on an upswing of functionality, but then the CNA who was supposed to come help us out ended up being a nightmare person and doing more harm than good, and just keeping her in check for the week and a half we had her burnt out my small pile of reserve spoons. I am spoonless once more…and now they can’t find us a replacement for her. I haven’t even had the energy to open my birthday cards/presents yet.

Highlights from the terrible CNA include:
-her telling us that she literally believes that “test tube babies” and babies born through IVF and surrogacy “don’t have souls, for real. They’re just like robotic cutouts; God wasn’t there when they were conceived, so they didn’t ever get souls.”
-her telling me that I should just pay someone else to do my taxes while I was struggling to process instructions from and assemble paperwork for the person we pay to do our taxes. She was supposed to be helping me understand the paperwork; we had already discussed that it was for the tax accountant at least seven or eight times.
-“Oh, but you’re so young, and you look great! You’re not so sick, you probably don’t really need my help with [insert basic CNA purpose task that I absolutely cannot manage for myself], it’s so easy,” over and over and over and over and…

Also, really sick of having to explain to people that, just because my body is doing well or appearing to “get better,” it doesn’t mean my brain is in gear to match. Me successfully managing to go out—while other people guide me, transport me, protect me from overwhelming stimuli and from having to do the meltdown-triggering stuff, ie a lot of work from my support system that you don’t really see unless you’re out with us, watching the way Bruce subtly guides me through a crowd or the way Zach helps me go through the menu—does not mean I am somehow in possession of a working brain. I’m usually not, and often doing the physical stuff robs me of the ability to do the mental stuff—I confirmed this the hard way, when I got lost in (the extremely small city of) Newcastle despite being in the same identical spot and doing the same identical process that Ally and I had done three times already earlier that week. Except, when we’d done it before, she’d been there to read all the little map things and directional/store signs (I can’t read maps or pictographs now, and written signs warp strangely, moreso when I’m stressed,) and check the streets as we crossed them (I have this thing now where objects moving quickly towards me strobe and turn invisible and I freeze like a deer and this is also a major part of why I can’t drive anymore,) and navigate around knots of pedestrians (I now have the spatial awareness of a toddler and also fits of vertigo, so I crash into people a LOT when I don’t have someone else’s body to follow,) and remember the name of where we were going (I can’t easily hold things in my head while moving physically anymore; the concentration that movement and balance take mean that I rarely have any processing power left over for thoughts/memory—I can hold a light conversation while walking, but that’s on a good day,) and process the visuals of more than a 3’ radius around our bodies (I can no longer do this while my body is in motion without walking into/off of things, which is another reason I am unable to drive now,) and so I ended up getting overstimulated AF and just sitting on the back edge of a bookstore display and quietly weeping for twenty minutes before pulling myself together and trying to ask people for directions…which went really badly, because I can no longer easily process, follow, or remember directions correctly, and I ended up twice as lost and in the wrong transit station. I only got back without having to call an Uber (terribly expensive and very slow, and it was hot as hell out,) because I finally found a girl in a wheelchair and her companion busking, and I offered them £10 if they’d lead my brain damaged ass the (very short, maybe four blocks) entire distance to the correct bus station when they finished their set. When I got there, I still had to have Ally step out of work (a bake shop attached to the bus station) for a moment to help me figure out the bus timetable and where to wait for it. It was a miserable day, and I was basically useless for the next two after it.

So yeah, I spent most of the last three years not doing anything small and joy-bringing I wanted (needed) to, largely in part because it made people not believe me when I told them my brain didn’t work—“well, it seems like you’re well enough to do what YOU want to do,” whenever I managed something joy-bringing is a thing that cut me deep. No, I have a support system of people willing and sometimes able to make some of the things I want to do feel in reach for me again. I cannot magically translate Zach reading the menu or Bruce navigating the crowd or me actually managing to put on makeup despite the hand tremors into me or those other people being able to do larger scale practical things like finding me new medical help, doing my paperwork/taxes, cleaning the apartment, managing organizational tasks, etc. That’s not a thing and even if it were, it wouldn’t be reliable or sustainable or even really okay.
So I spent a lot of time as a dour hermit out of guilt at the idea of being happy while there were things that needed to be done. I needed to spend my energy on HEALING and RECOVERING until I was well enough to get the important stuff done. I needed to focus on that and only that, so I could resume my place as a functional member of society.

Yeah, turns out that’s probably not happening, in terms of my likely health and disability outlook. This is not a thing I will recuperate from so much as need to learn to manage and live with. It’s also DEFINITELY not happening if I’m so depressed and isolated that I give up and unalive myself, which has been an intermittently hovering intrusive impulse since I was a kid. It remains even when I’m happy, but looms huge when I’m depressed. Not pursuing the things that bring me joy and fill me up because I couldn’t do the things that are now hard or impossible and thought there was some correlation between those abilities? Has destroyed some of the relationships I cared most about, kept me creatively stagnant, and made me so depressed that I’m arguably less functional than I was even right after my strokes. Certainly less able to plan and organize and process information.

If you need me this week, you better be prepared to badger the hell out of me, because I am straight up muddling through thick fog—but please do it gently, as I’m so overwhelmed that I keep just dissolving into tears. My brain terrarium is all storms right now. 🧠⛈🫠

Unrelated, I took this pic of a glorious double rainbow off my balcony this week. Denver largely feels like living on terraformed Mars to me, but it has such gorgeous storms.

Upcoming Publication in SageWoman

I am incredibly excited to announce that my first ever creative nonfiction piece will be coming out in the Fall 2022 issue of SageWoman! This has been one of my favorite magazines since I was a little girl, and it’s a dream come true for my writing to be included in it.

You can preorder it at a discount here!

The piece is a personal essay, “Hel, Handwork, and the Orb Weaver,” focused on facing myself and the changes in my own brain since my strokes a few years ago, and the reorientations that has necessitated in both my artwork and my life. This is my first published narrative since my brain damage, and the first time I’m talking about it in full view of strangers. It feels like a really big step for me, and I’m proud of it.

If you enjoy paganism, feminism, magic, and associated creativity around those things, I absolutely recommend the magazine! There are also some other wonderful CNF and poetry pieces in this issue (including a fascinating article from Diana Paxson on the goddesses of Ukraine that I definitely didn’t illicitly read in my proofing copy, nope,) so if you’re able to support me by preordering a copy and/or sharing this with others, please do! 💖

Compassion vs Niceness, Identity, and Some Tamora Pierce References

Since the death of my friend and godmother, Kathryn, last year, I’ve been dealing with some Big Life Things–graduation with my MFA, recovering from a year and a half of being housebound and bedridden, getting engaged, planning a wedding, dealing with my parents’ divorce, big issues with my siblings, travel, new health issues, and just a lot of stuff that’s affected my concept of myself and my identity. Because processing grief doesn’t happen in a vacuum, my missing her and dealing with her passing sort of merged with all of those issues and I became sort of fixated on what I thought would be disappointing her about me because I felt like I was disappointing everyone else. I thought that perhaps those people were right—maybe I was judgmental, mean, oversensitive, cruel, hard to like and harder to love. I clung to how much Kathryn had liked and loved me and I asked myself what she would want to see more of in me. Whether the root of the question was super problematic or not (hint: it was,) I came to the conclusion that she would ask the same thing of me that she asked of the world at large: compassion.

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However, doing that has meant struggling with the meaning of compassion and what I’m supposed to do with it. It is easy to see it as the idea of being kind and gentle and empathetic and nice to everyone. But as the sociopolitical tensions mount in the world, so do tensions in interpersonal relationships. When does someone stop being your friend if they reveal that they don’t believe in human rights for ALL humans? In the face of most things, Kathryn would laugh and shake her head and say nothing about someone’s personal foibles—after all, civility and courtesy are the hallmarks of a kind person. But not all things. Not, perhaps, these things. She was a feminist and an activist. She went to protests in real life and delivered thoughtfully-worded and remarkably polite smackdowns on the internet. She had firm beliefs about standing up for others and for yourself when you have to. But I never saw her scream at anyone or be cruel—she’d scream an open letter to evil people, maybe, and she’d certainly express things vehemently, but I never saw her be mean. And I’m not going to lie, I can be really mean.

So, as some of my friends and even some family have begun to reveal disturbing world views, often via very personal situations, I am left wondering if people didn’t say the same sorts of things to her as they do to me, if her boundaries just kept the unpleasantness a little further back, or if she was just really, really good at reining it in. I honestly don’t know. Would she suggest I keep calm and carry on and just walk away? Or is silence in the face of abuse just enabling the abuser? Do a few gentle words of disapproval actually do enough in these situations, or is it sometimes better to be mean to horrible people? Is it okay to snap sometimes and yell at someone who crosses your boundaries too many times? Is it alright to tell someone who has been your friend for years to fuck right off if they think that keeping people in concentration camps is okay? That one is perhaps obvious. But how does that translate to when a friend or family member spends hours asking you to do things with/for them and share your opinions and then tells you that you’re judgmental and the opinions they asked for are worthless? Spend less time with them, I guess, but what happens when it’s more complex than that? What happens when your livelihood is a factor? What about when your brain damage means that the words don’t come out the way you want them to anymore, when you can’t gather your thoughts to express them properly at all, let alone gently? Where do compassion, pragmatism, kindness, self-care, and the need to express feelings meet, and how do you keep them in balance?

I don’t know. I honestly don’t. But after over a year of trying to figure it out, I do know that compassion can’t possibly mean being nice to everyone all the time. And I know Kathryn loved me, sharp tongue and all—just because her compassion was more graceful doesn’t necessarily mean that mine isn’t good enough. This is the woman who handed me my first Tamora Pierce novel and introduced me to characters like Rosethorn, a woman who suffered no fools, had a razor for a tongue, could threaten to hang you by your ears in a well, and yet was somehow gentle and kind to the people and creatures who needed it, when they needed it—sometimes while yelling at them.

So I think maybe it means biting my tongue sometimes when a friend or family member dates someone I can’t stand, not because I don’t have completely legitimate thoughts on why their significant other is terrible, but because I choose to be gentler when I can be—but maybe not biting it all the time, maybe just picking my moment instead of trying to express all my thoughts every single minute.

Maybe it means putting myself in someone else’s shoes and thinking about why they act how they do and what they’re feeling and seeing if that makes it easier to be nice to them.

Maybe it’s keeping some of my less immediate or important opinions close to the vest unless they’re asked for.

Maybe it means being gentler with the people who are gentle with me.

Maybe it means trying to like and see the best in people, especially when my first inclination is to be jealous or suspicious or bitter.

But I don’t think it means not verbally expressing clear boundaries, limits, and opinions on things that actively affect me.

I definitely don’t think it means not being angry or expressing that anger when people do bad or cruel things, either to me or to others.

I don’t think it means always being nice to people who are willfully ignorant or intentionally cruel or even just persistently callous.

I don’t think it means biting my tongue in the face of racism, rape culture, Nazism, or other human awfulness.

I definitely don’t think it means trying to understand and forgive and be kind to everyone. I think I’m allowed to just try to be courteous to people I dislike, kind to people I love, and still tell rape apologists and Nazis to go eat shit and die. I think that’s how that works. (I mean, she’d probably want me to phrase it in a less coarse and more devastating way and possibly add in a Shakespearean insult, but the point stands.)

I don’t think she’d be disappointed in me for not being the nicest. I’ve always been crotchety and opinionated and loud and she never seemed to love me any less for it—she was compassionate in a way I can understand, a way where she saw what I meant and, usually gently but sometimes with an exasperated sigh and a stern word, helped bring my actions and language closer to whatever that was. And maybe it’s obvious and easy for you to be like, “Yeah, Alena, chill, she loved you, she’s not judging you from beyond the veil of death, that’s insane.” But you should know by now that I have absolutely zero chill and it turns out that when most of the people that are supposed to love you are telling you what a shit person you are, how wildly inadequate you are, it’s hard to not feel like you somehow tricked one of the few people who didn’t think that, especially when they’re not physically present to confirm that they did, in fact, know you, and did, in fact, love you. It’s hard, okay? It shouldn’t be, but it’s hard and I spend so much time feeling like I’m drowning in it.

I come back to that first Tamora Pierce book she handed me—one afternoon in the Lumpkin County library, she reached up on tiptoe to pull it off a shelf in the YA section. She handed me Street Magic and my whole world changed. I was handed heroes and heroines who had all different skin colors, were of different social classes, were skinny and fat, were gifted at different things—who were good, even if they weren’t always terribly nice. And I think she handed me that particular book—the book in which a sharp-tongued woman features most prominently as a loving, protective, kind, and compassionate, but definitely not nice, figure worthy of respect, admiration, and love—absolutely on purpose. Later, I backtracked in the series and met Lark, the gentle, soft spoken, strangely athletic creatrix who was Rosethorn’s partner and co-mentor of the protagonists, and I was thrilled, thrilled that she wasn’t elevated above Rosethorn because she was “nicer;” she was her partner and friend and understood that there could be different ways to love people and interact with them that didn’t mean changing or editing or censoring everything that wanted to come out of my mouth. Maybe not all the nice people who loved me needed me to be the same sort of good that they were. That kept me going for a long time.

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When Kathryn passed, I think I lost my way with that a little. Or maybe just lost it a little more–I definitely had a pendulum thing happen in college where I went from being ruthless and defensive and offensive to being a doormat who let people take terrible advantage of and hurt me. Maybe now I can swing back to the middle, or at least closer to it—I’m leaning a little harder towards the angry side, I can’t pretend I’m not, but I think that’s necessary for me to be able to survive the world’s craziness right now. Abortion is illegal in my state now. I think anger is appropriate. But I digress.

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The reality is that, even though it would be really easy to simplify Kathryn into “the nice one,” she was way more complex than that. She was the creative one, the feminist one, the bookish one, the mothering one, the sisterly one, the let’s go dancing one, the one who spoke like a zillion languages, the poetic one, the scholarly one, the teacherly one, the one who celebrated things with pie, the short one, the surprisingly athletic one, the one who was way more things than should have logically fit into her tiny human vessel. She’s not some angel sitting on my shoulder, judging me when I can’t stay silent about a friend dating a domestic abuser or bite my tongue over a family member being a rape apologist. She’s the voice in my head that says, “Eat that pie, girl!” and, “Carrying a pink pussy hat purse in a conservative environment is a lovely form of peaceful protest,” and, “The sign says no loitering, but we’re not loitering, we’re eating.” She’s the one who, when people were horrible to me on the internet, casually commented with the 10 Commandments of Logical Fallacies and just listed the numbers that correlated to the flaws in their arguments. She’s the one who taught me that Pride and Prejudice was more than a historical romance novel, that it was incisive social commentary and that things and people could be more than one thing—possibly even clever, somewhat judgmental, good people, and capable of love. She dedicated three whole books to me, so she probably thought I was pretty okay and I should maybe stop freaking out about posthumously disappointing her by not changing my ENTIRE CHARACTER.


I don’t think she’d need me to try to be just like her—I think she would appreciate the compliment and then gently remind me that she already existed and I should be something different because I am something different. I think she’d be kind of bemused by the fact that I’ve been trying so hard to be like her, actually. I think she’d want me to be whatever I need to be so that I stay strong and confident and healthy enough to protect myself and others. I think she’d probably be pretty okay with it if that sometimes means not being polite to friends or family members who repeatedly cross my expressed boundaries, or if it means yelling at a sexist abuse and statutory rape apologist on Facebook, or if it means telling someone I’ve known my whole life that we can’t be friends if they’re going to support someone like Trump. I think she’d be pretty thrilled if I punched a Nazi—as long as I made sure they couldn’t later identify my face and didn’t do it in a way that endangered my safety (or the safety of others) or got me arrested. I think she’d probably be far more thrilled if I wrote a book about a young girl thwarting (and maybe punching) Nazi corollary figures and saving the world because it would be more effective on a larger scale, but the point is that I don’t think she’d mind if I’m a coarser grit sandpaper than she was. I think that compassion and niceness are probably definitely actually not the same, even though Kathryn was both compassionate and nice. I think maybe there will be a few people, when all is said and done, who don’t want or expect me to be anything but the best version of the person I actually am, even if they’re not all the people I would have assumed or wished they were.

Rosethorn was always my favorite anyway.

 

Pitfalls of Growing Up Pagan: a Reprise

I have had a few people say that their feelings were hurt by my blog post about growing up in the neopagan community and say that I’m being ungrateful and unappreciative of all the work that they put into creating that community and including it. So I just want to address that. 

A. You can love something, be grateful for something, appreciate something…and still look at it objectively, look at it critically, and want to make it better. I can cook a delicious meal and still think, “ah, I think I should add less pepper next time so my stomach doesn’t hurt so much after eating it.” It doesn’t mean the meal wasn’t good, just that the first try could be improved upon during the next try. You don’t prune a rose bush to punish it or because you don’t appreciate its beauty, you do it so that it can grow bigger and more healthy. 

B. It’s not really about gratitude or your feelings. It’s about bringing the community off of its pedestal for a minute and out into the light and taking an honest look at the dangerous and damaging parts of it. My wedding dress arrived and it was gorgeous…but the arms didn’t fit. As we began to refit them, we discovered that there were a couple pins left in the seams. That doesn’t mean that the dress is evil or that I don’t love it or that I’m not going to wear it. It means that it needs some adjustment for it to be safe and comfortable for me to be in. 

So, while I love all the people who are grumbling and I understand that your feelings are hurt, I’m just honestly not in a place where I believe that I need to apologize for speaking up and speaking out. I have watched too many awful things happen in the name of “self discovery,” “loving all bodies,” “practicing openness,” “exploring pleasure,” “creating your own reality,” and “encouraging natural urges.” None of those things are inherently wrong. Not all the people practicing those things are doing so in a damaging way. But those ideals were, and in many ways still are, being used by people in dangerous and damaging ways in the neopagan community and I am unwilling to look away or be silent about it just so that I don’t seem ungrateful. The good parts of that community raised me to be strong, vocal, and try to make the world around me a better place. I honor the good parts of the pagan community by trying to make it better—or at least more conscious of where it’s sometimes falling short. Even the most marvelous and beautiful gardens need tending sometimes; you don’t get healthy plants by ignoring diseases, predators, and other hazards. As we discovered at PSG this year, it’s not always safe to dance barefoot, and when you notice broken glass and sharp metal objects in the ritual circle, you’re not doing anyone any favors by not pointing them out and/or picking them up. 

So, for me, the reality is this: there are problems, and pointing them out is not being ungrateful, it is simply NECESSARY. This is not a community I would be okay raising a child in. It is not a safe space. There is safe space within it! But that’s very different. One of the strongest and most sex-positive women I know has been continually—and is currently being—sexually harassed by a high-ranking member of her neopagan community, and when she asked for help, an enormous number of people in that community refused to believe her, made excuses for her abuser, and made her feel unsafe in her own space. Almost every member of my group of childhood friends, male or female or otherwise, in the pagan community was sexually harassed, sexually assaulted, or otherwise coerced into wanting or thinking they wanted things that were simply not safe, sane, or consensual, all when they were too young to be making those decisions in an informed way. I was personally sexually harassed while growing up—by teenagers and adults, both men and women, both directly and more indirectly in the form of grooming and coaching, from many members of the community, most of whom thought that what they were doing was a good thing.  I got a lot of my best lessons from the same people who gave me the most horrible misconceptions. The problem is not that one or several people are bad; the problem is people thinking that being asked to change a behavior is the same as being accused of intentional wrongdoing. 

This isn’t any single person’s fault, and I’m not putting blame on the people who were trying to create an atmosphere different from the one they escaped—but now, now that these things have been noticed, have been said, have been observed, documented, and voiced loudly and publicly? Now, if they continue, it is someone’s fault. I do blame. Because once you know, you become complicit if you choose to look away. So don’t look away. Do better. Stand there and look at what’s happening under the free love and good time vibes and see if it’s the world you’re trying to build—and when it is, celebrate. But when it isn’t, course correct. Make the change. And don’t come barking up my tree for being ungrateful. I’m super grateful. I’m grateful that I am in a position to see and to speak out. I am grateful for the people and the moments and the parts of the community that made me the kind of person who isn’t just ABLE to say this, but HAS to say it.

AND AN ADDENDUM IN CASE IT WAS UNCLEAR—grooming kids growing up pagan to be overtly sexual, sexual too young, sexual with inappropriate partners, or to believe that monogamy is bad and a trapping of conservatism is NOT the same as encouraging kids to ask questions, encouraging them to personally and privately figure out what they like *with themselves* until they are of an appropriate age and ready, encouraging them to practice safe sex and openly talk about their sexual preferences and needs when they DO start having sex, talking to them about consent and boundaries, normalizing queerness/non-heteronormativity, or talking about/normalizing informed and consensual non-monogamous situations and relationships. 

Normalizing healthy discussions of sex and its many totally acceptable permutations is fine. Making jokes to chubby twelve year olds that they’ll “get all the men” once they’re legal “because fat girls are better at sex to make up for it,” telling thirteen year olds that “you better learn to swallow if you don’t want to end up pregnant!” or other things that groom them to treat sex as a way to have power over other people, as a replacement for self-awareness and appropriate expression, as a way to validate themselves, or as a means of escape is NOT fine. 

Giving young people open access to birth control even before they begin to consider sexual activity is GREAT, it normalizes safe sex and integrates contraception/STI prevention as part of the concept of sex as they mature and that is TOTALLY FINE. Teasing them about being virgins, making comments about what you’d like to do to them or what others would like to do to them “once they’re legal” is NOT okay. 

Encouraging young people to normalize nudity and exploring their body is fine—they came out of vaginas, it is a-okay for them to know what they are and how they work! Making jokes about small penises, men not being able to find the clitoris, or other things that will make them ashamed if they or their partner experience what you’re talking about or eaching them to sexualize and sensationalize nudity by making comments like, “ugh, why is it always the people who you wish wouldn’t get naked that do?” or making lewd comments towards naked people you *do* find attractive is NOT cool. 

Normalizing a desire to explore mind-altering substances and creating an atmosphere where young people can feel comfortable asking questions or otherwise talking about how to do that in a relatively safe way is great. Making them feel that doing drugs is a “rite of passage,” something they will inevitably do, something that they are not normal if they DON’T do, making drugs a required part of spiritual practice or associating the two as if they are naturally and integrally linked is not cool. Shaming or mocking a young person for not wanting to smoke weed or drop acid or get drunk or be sexual is ludicrous and just shows that you need to validate your own choices by forcing others to make those choices, too. It’s still peer pressure even if you’re not the same age and it’s gross. 

Verbally trashing non-monogamous relationships as “cheating but with rules,” one partner “settling” or “putting up with” another’s “desire to sleep around,” or otherwise portraying them as bad or degrading while also bragging about/chasing threesomes as long as it’s with two people of the gender YOU prefer (looking at you, hetero dudes, and your constant hunt for the girl/girl/guy hookup) is not cool. Also, objectifying lesbians or coercing hetero women into girl on girl acts to gratify your male gaze is SO two decades ago and also gross and shitty of you and you need to stop. 

Teaching kids and teens that all bodies are good bodies and to love themselves is not the same as telling them that they HAVE to be naked to participate in ritual if they want it to “be real,” telling them what it’s “normal” to want because it was what *you* wanted, or otherwise forcing the issues of sex and consent in relation to normalcy is not okay, no matter how you mean it. 

You want to celebrate sex? CELEBRATE IT. You want to consume mind altering substances, whether it’s marijuana, alcohol, or “the hard stuff”? DO IT. But that doesn’t mean have it everywhere all the time or make it the center of every social interaction or religious/spiritual situation, especially with young people. It’s time to pay attention to the lessons we’re teaching or modeling and make a conscious choice about what we’re normalizing for the kids in the community. You can celebrate things without forcing them down people’s throats. 

Struggles With Faith: Pitfalls Of Growing Up Pagan

There are more important things going on. Human beings are being detained in what are basically concentration camps with a different name. Medical attention in the US is prohibitively expensive and people (people I know and love) are literally dying because of it. Climate change is real and terrifying and the Earth is probably doomed and no matter how much you recycle your bottles and cans, even if we all do it, our collectively mitigated carbon footprint will never be enough to offset the damage done by even one Fortune 500 company’s environmental damage. My state and several others are passing laws to deny me control over my own body, even in a survival situation. The world is ugly and getting uglier and there are way more important things that need to be discussed than what I’m about to talk about.

At the same time, if I had heard some of what I’m about to say from anyone else growing up, it might have saved me a lot of hurt and fear. So no, this is not the most important thing. But I’m going to take a sec to talk about it anyway.

I just came back from a big pagan festival! It was not a good time for me for a lot of reasons, most of them health-related. Health and festival organizational issues and weather aside, though, being in the pagan community and seeing how it is changing (in some ways very positively, like with gender inclusivity, and other ways not so positively,) brought up a lot of thoughts I’ve been having over the last few years about my faith and my identity.

When people talk about struggling with their faith, it’s not usually a pagan faith—paganism is where the people who worked through that struggle and found the Truth end up. At least, that’s the narrative I grew up with. Not an orchestrated narrative fed to time by my parents, but a natural, background one I absorbed from almost everyone active in our community, in the pagan faith. They’d been raised Christian, usually, but they weren’t sheep! No! (Christians are automatically sheep in these stories, obviously, by virtue of not having found the Truth.) They had questions! And they found their answers in the balance between the god and goddess! It was a very tidy story, even when the person had suffered mightily because of that journey—it felt like a coming out story. Even if it meant giving up everything, losing the love of their families and friends, anything, it was worth it because they had found the truth. And that made sense to me. I saw Christianity as the starting point, the Fool, a faith of well-meaning ignorance, and Paganism as the end, the World, the faith of the wise and learned, the followers of truth and love. Everyone around me was sex positive, accepting of queerness, chill about gender fluidity, down with science—it was basically The Dream(tm), right? I was raised to question everything and find my own answers, to know myself and love myself and live in joy and love and gratitude toward the god(s) and goddess(es.) Religious and sexual freedom—it’s what everyone, especially a young person, wants!

Well, as you’re probably guessing, it’s not actually as straightforward as all that. It turns out that knowing yourself as you grow up is bullshit—there’s nothing TO know except that you’re hungry for life and have no idea what you’re gonna be yet, even if you’re super self aware and logical. It just makes you try to pin down who you are instead of letting it happen naturally. Forces you to internalize the desires of your community because you don’t know what yours even ARE. But sex is good, right? Everybody is really obsessed with it—the Christians with not having it, the Pagans with being super all for having it! I mean, the chalice and athame are symbolic genitals, literally every ritual we engage in has sex as the sacred act, the thing that blesses the cakes and wine! Sex is a great place to start, because it’s EVERYWHERE and everyone is talking about it and you’re a kid becoming a teenager and hormones are a thing and you don’t know what the deal is, but you know it must be important, must be POWERFUL.

Okay, look. All the pagans I grew up with were super into talking about how Christianity swooped in and stole all their shit—their gods, their holidays, everything. And that’s pretty frequently true! But neopaganism swooped right back and blew a giant raspberry at Christianity while yelling, “WRONG” at the top of its lungs and based a whole hell of a lot of itself around being a reactionary clapback to Christianity. It’s not all about truth and love. It’s not all about ANYTHING. No, it’s about EVERYTHING—put six pagans in a room and ask them what their religion is about and you’ll get two dozen answers, ten of them from the same guy who thinks that just because he prays to a woman, he’s absolved from sexism and the mansplaining phenomenon and just wait until you’re legal, baby, you’re DELICIOUS, but that’s not gross to say because he’s not touching you or anything and paganism is sex positive and honest! Never mind that you’re being groomed as a sex object just like a girl in any other religion—no, it’s fine, because it’s sex you’re allowed to want, supposed to enjoy! How do you know when you’re ready? You know yourself; you’ll know! The goddess will speak to you! Oh, wait, all you hear is ringing silence and the bloody volcanic roar of hormones drowning out any semblance of objectivity? That’s just the goddess speaking to you through your primal nature! Listen to your instincts! Know yourself! Trust and love the goddess, she is all the answers you need! Get naked in the moonlight and dance! You’re young and beautiful! Oh, wait, you’re thirteen and fat and have floppy old lady boobs and weird proportions that don’t match this Barbie-shaped statue of Artemis I have on my mantle/altar? Haha why is it always the people we wish would keep their clothes on who want to get naked? Hahaha GROSS! But why aren’t you comfortable with this naked sweatlodge ritual again? Explore yourself, make mistakes, live free! Smoke some weed, drop some acid, try this peyote! Young people don’t need structure and boundaries or to keep mind-altering chemicals out of the already mind-altering cesspool of hormones blooming in their bodies! They need boundless freedom and encouragement!

Okay, look, first gen neopagans. I appreciate what you tried to do. I do. You escaped stifling censure and the weird, invasive strictures of your parents’ Abrahamic faith and you found a new path. A path where you could explore yourself and make what you would of your findings. You wanted to raise your kids in that freedom, spare them your suffering. Give them the space to explore things and make mistakes. But here’s the reality. Too much of a good thing is still too much, and unlike you, we didn’t have a starting place where we learned what we wanted even if it was denied us.

Sure, you encouraged us. Encouraged us to do what worked for you. To be okay with wanting sex, wanting to experiment with drugs, wanting to find the right god/ess and commune with them in my own way. But no one ever, ever said that NOT wanting those things was an option. You were so caught up in finding yourselves and your freedom that you didn’t consider that wanting those things and having those desires repressed wasn’t necessarily the default, that kids maybe wouldn’t automatically KNOW that it was an option to say no, to not want. You told us—me—that those things were natural, integral in human nature.

But they weren’t in mine. And I didn’t get to figure that out for like two decades because I was so caught up in the neopagan propaganda machine. I was a young, independent woman! I was sexual and my body was my own! I had the world at my fingertips! Except that I was a kid. I wasn’t ready to be independent. It took years of therapy and actually looking after real human children to find out that letting a kid spend that much time alone isn’t actually healthy. To realize that I was pressured into “wanting” sex YEARS before I actually wanted it, into seeing it as a source of power and identity and self-empowerment and being desperate for those things and thinking sex was necessary to have them. Having the world at your fingertips is cool and everything, but everyone needs some guidance on what the hell to do with it.

My generation, the first gen really born into and raised in the neopagan community, is an absolute SHITSHOW. Most of the kids I grew up with are disasters. I’m a disaster, and I’m doing pretty well, comparatively. So many of the others are drug addicts, in overly sexualized and dehumanized relationships, or raising children they don’t want because your rampant sex-positivity didn’t include any decent or specific sex ed. (You were really into everyone knowing where the clitoris is and having access to condoms, but not actually that big on showing anyone how to use them or emphasizing how necessary they were.) Or all of the above. Most frequently all of the above.

I’m not a prude who’s against all forms of fun. I’m all for it. I’m not against an active sex life, polyamory (except linguistically,) or responsible drug use. But I’m against telling your kids that those things are integral, necessary parts of being human, that everybody uniformly wanting those things is the natural order of things and that not wanting them is self-denial. Until I was like 25, I pressured every significant other I ever had into sex before either of us were ready—because I was told, over and over from day one, that everyone wants to be having sex and anyone who doesn’t is lying. Literally. My friends used to say that sentence all the time. And when I say “my friends,” I specifically mean my middle-aged divorced women friends who thought it was totally fine to say that to a thirteen year old and then complain about how men were lazy monsters who couldn’t find the clit with a map and a compass. A specific one of those friends, a grown woman and a schoolteacher to boot, used to say to me all the time, “If you don’t want to end up pregnant, you better learn to swallow,” and then laugh. I was hearing this from age twelve on a near daily basis. I was being told that monogamy was unnatural and stifling and that people who wanted it only did so because they were jealous and controlling and wanted to own other people, that it was tantamount to slavery and WRONG. I was being told that as soon as I was of age, I wouldn’t have any trouble dating, because teenagers might care what I looked like (i.e. fat,) but REAL MEN wanted REAL WOMEN (again, fat) and they’d be lining up around the block as soon as I hit eighteen. From the age of 14 onward, I had grown men telling me how boys my age might think I was fat and ugly (a comment I NEVER GOT from an actual boy my age, by the way—sometimes girls being catty, but never, ever from someone I was interested in; if they turned me down, even if it was because of my looks, they didn’t SAY that,) they, REAL MEN, couldn’t wait until I was legal. But they weren’t pedophiles because I got breasts young and looked older and they never tried to touch me. The fact that they sexualized me was natural because I was not only female, I LOOKED like a “real woman,” so I would obviously be super sexual to make up for not being thin, right? All those middle-aged divorced pagan women friends (often high priestesses, I shit you not) assured me that men wanted a girl they could really “grab hold of,” that fat women were better in bed because we try harder to make up for being fat, and frequently gave me overt sex tips (which I can tell you, now that I am an adult, were not only inappropriate but wildly inaccurate and unhelpful.) They told me how it wouldn’t be too hard to get men because I would put out when skinny girls wouldn’t, that I would have power those girls wouldn’t because I was in touch with my sexuality. And this was not only all fine, but actually because I was so “mature” that they could talk to me openly about all these things! And those men only said those things because I (definitely not in response to those women telling me that I was supposed to say and do these things…definitely not, no…) was sexual and flirtatious and curvy! (Read: my fault if I complain about it, because me having an adult vocabulary and being a curious kid and opinionated teenager amounted to permission for adults to violate all rules of appropriate conduct in relation to me.)

Like. I get that you wanted freedom for us. But I’m not sure when freedom became grabbing and hoarding power however we could find it, growing to adulthood with zero respect for our own basic needs and obsession with our base desires, and basically living the life of a cartoon satyr. How was any of that okay? How IS any of it okay? This was not a progressive, egalitarian society—no, it was just an inverted, reactionary copy of the patriarchal mainstream, where instead of letting men sexualize us, young women were supposed to turn the tables on them by being the sexual predators, where instead of letting someone “trap” us in a monogamous relationship we were supposed to be manic pixie dream girls who slept with whoever we “wanted” as long as we didn’t want to sleep with just one person, where instead of having guys get us drunk and feel us up, we were supposed to get THEM drunk and demonstrate our superior fortitude and how much better we were than “normal” girls. Come on, guys.

Oh-ho, I see you in the back, there, pagans who are saying, “oh, not me, I’m part of a structured pagan tradition and I wasn’t a part of THAT.” Well, look, sure, you maybe weren’t the ones saying, “fuck everybody and control them with your mystical vagina,” “mo penis mo power,” but you were the ones wearing wreaths of fake berries on your heads and yelling at us when we mispronounced your infinite and arbitrary titles or wore amber without being third degree priestesses. Your religion is younger than the modern vacuum cleaner and you should be embarrassed that you take yourselves so damn seriously. Your obsession with writing convoluted rituals and dressing for the maximum pageantry quotient doesn’t make you less complicit in creating a culture that perpetuates the same sick values as the one you ran away from, one that just does it while wearing a sarong and a flower crown instead of a priest’s collar. You’re ridiculous. Get over it. Humans are all ridiculous and you’re no exception.

Where I was going with this actually has very little to do with sex, but I may have some frustrations with my childhood that I needed to let out a little bit. Keep rolling with me, here.

What I was getting to was actually how I have no idea how to worship the goddess. I’m well-versed in the technical aspects of goddess religions; I know all the mystical correspondences of stars and elements and ancient symbols. I spent three years as a religious studies major, I spent a childhood learning the ins and outs of goddess worship, I have spent my adult life as a feminist and student of the mystical. But the practical eludes me. If I see her as the beautiful, sexual maiden goddess, I’m annoyed and uncomfortable. I’m supposed to be like her, and I never have been. She’s the source of unreachable standards for my looks and behavior. If she’s the Great Mother, well, I kind of can’t help but draw parallels to MY mother, who, while a cool human, isn’t someone I would worship in a divine way. She’s too harsh, too critical, too judgmental. My grandmother came to me and was like, “I’d like to see you start to have a relationship with the Blessed Mother,” and the part that repulsed me wasn’t the catholic part, it was the MOTHER part. So that’s an issue. So where does that leave me?

Even as I’m typing this, my brain goes, “the Crone, Alena, duh.” And okay, maybe that’s actually true. Maybe I should be shuffling towards Cerridwen and Hecate–and I sometimes try to. But there’s this lingering sense of women older than me being the horribly misguided (albeit well-intentioned, probably) source of all that inappropriate, petty, hypersexualized shit I went through in my younger years. I’m starting to realize that the only female figures in my life that I trusted to give me guidance without agenda are both DEAD.

And yeah, I can pray to them. But uh. I kind of don’t want to be like, hey, Kathryn, I know you’re busy with dead person stuff, but here’s where all the stuff you loved about me was actually a giant ballooning shitshow of falsehood and confusion, also could you please help me sort this out? I’m weak and small and scared and I was never who you deserved as a goddaughter, but could you intervene for me in a cosmic way with the deities I don’t know how to talk to? A) ow, self loathing and emotional agony, and B) it feels a liiiiittle too Catholic for me.

I have the same problem with gods. I’ve never had a grandfather figure in my life. I’ve had a great Dad, but uh, again, things I need to pray about are NOT things I want to be handled by a parent, not things I ever want to associate with parents. I never had a grandfather figure, and that’s still a complicated relationship dynamic even if I DID have a model for it. Other male deities are automatically uncomfortably sexualized by my upbringing and are therefore judging me in my head or are totally sexless and aloof and inaccessible.

Abstract deities are a little easier. Animals, elements. But they’re too abstract to be helpful in specific, human instances. Ancestors are tainted by personal judgment; the idea of a creator is tainted by the idea of control. And the more abstract, the less I can believe they give a shit about me.

And see, this is a problem, because no matter what lingering childhood issues I may have, I’m a witch. I believe, in some unconscious, unshakable part of me, that humans have the ability to pluck the strings of the multiverse and affect change and that I am one of the ones who should and does. And that’s all well and good, but uh…it’s lonely. I’d like a guiding force to look up to. One who won’t let me down. One who won’t judge me. One with no ulterior motives, about either my actions or my soul. They don’t have to fix things for me, just have to be something I could believe in. But when I break it down, belief is complicated and heavy, and I’m actually not even sure I believe in gods in a literal kind of way—I’m pretty sure I don’t, actually. But I’d love an archetype, an idol, an idea who I could trust and respect and ask for help, literal or theoretical. And for all the freedom to “know myself” or what the hell else, it’s been 27 years and I still have no clue. I don’t know. I look at myself and I say, “I know you, self,” and my self looks back and says, “that’s great and everything, but uh, I don’t know jack shit.”